Jazz Week 2026

Mr. Jones is a musical chameleon, comfortable in any musical setting, no matter the role or genre. After a six-month stint with the Jazz at Lincoln Center Orchestra, Wynton Marsalis offered him a permanent position as lead trumpeter of the ensemble, a post he held from 2004 until 2010. In 2015, Mr. Jones was tapped to become a member of the SFJAZZ Collective. During this time, he has managed to keep a core group of talented musicians together under his leadership, forming the foundation for groups that have produced and released eight recordings on Mack Avenue Records. His most recent is the 2017 release Sean Jones: Live from Jazz at the Bistro.

Mr. Jones has been prominently featured in recordings and performances with many major figures in jazz, including Illinois Jacquet, Jimmy Heath, Frank Foster, Nancy Wilson, Dianne Reeves, Gerald Wilson, and Marcus Miller. He was selected by Mr. Miller, Herbie Hancock, and Wayne Shorter for their A Tribute to Miles tour in 2011. He has also performed with the Cleveland, Pittsburgh, and Youngstown symphony orchestras, as well as Soulful Symphony in Baltimore and a chamber group at the Salt Bay Chamberfest.

Mr. Jones is an internationally recognized educator. He is president of the Jazz Education Network and holds the Richard and Elizabeth Case Chair in Jazz Studies at The John Hopkins University’s Peabody Institute in Baltimore. As well as artistic Director for the NYO JAZZ Program of Carnegie Hall. Previously, he served as chair of the Brass department at Berklee College of Music in Boston.

https://www.sean-jones.com/

Thus far, in his career, Childs has garnered seventeen Grammy nominations and six Grammy awards, including two for Best Instrumental Jazz Album (Winds of Change in 2024 and Rebirth in 2018), and two for Best Arrangement Accompanying a Vocalist (including New York Tendaberry from Map to the Treasure: Reimagining Laura Nyro, featuring Renee Fleming and Yo-Yo Ma). In 2006, Childs was awarded a Chamber Music America composer’s grant, and in 2009, was the recipient of a Guggenheim Fellowship.  In 2013, he was awarded the Doris Duke Performing Artist Award.  He has also been awarded a composer’s award from the American Academy of Arts and Letters (2015).  In 2018, Childs was named “Outstanding Alumnus” of the Thornton School of Music (sharing that honor with, among others, Morton Lauridsen, Michael Tilson Thomas, and Marilyn Horne).  Childs has also served as president of Chamber Music America (2016-2022).

Born in Los Angeles, he entered USC as a composition major and graduated four years later with a Bachelor of Music in composition under the tutelage of Robert Linn. Since then Mr. Childs has received a number of orchestral and chamber commissions from, among others: Esa-Pekka Salonen and the Los Angeles Philharmonic, the Detroit Symphony Orchestra under the baton of Leonard Slatkin, the Los Angeles Master Chorale,  Monterey Jazz Festival, the Dorian Wind Quintet, the Lincoln Center Jazz Orchestra, the American Brass Quintet, the Ying Quartet, the Lyris Quartet, Anne Akiko Meyers, Rachel Barton Pine, and Inna Faliks.

As a pianist, Childs has performed with, among others, Freddie Hubbard, J.J. Johnson, Yo-Yo Ma, Sting, Renee Fleming, the Los Angeles Philharmonic, the Detroit Symphony, Chick Corea, the Kronos Quartet, Wynton Marsalis, Jack DeJohnette, the Dorian Wind Quintet, Ying Quartet, the American Brass Quintet, and Dave Holland.

Childs’ solo jazz recording career includes four critically acclaimed albums on the Windham Hill Jazz label and two volumes of Chamber Jazz music (Lyric, Vol. 1, 2006 and Autumn: In Moving Pictures, Vol. 2, 2010). Childs expanded upon his talent for seamlessly straddling the lines between jazz and classical worlds with a collection of re-imagined Laura Nyro compositions for Sony Masterworks, released in September 2014.  Map to the Treasure: Reimagining Laura Nyro, was produced by Larry Klein and features as guest artists, among others: Renée Fleming, Yo-Yo Ma, Wayne Shorter, Alison Kraus, Dianne Reeves, Chris Botti, Esperanza Spalding, and Lisa Fischer.  In 2017, Childs released the first of his three Mack Avenue recordings, the Grammy Award-winning Rebirth, which was followed by 2020’s Acceptance and 2023’s Grammy Award-winning The Winds of Change.

Childs is an in-demand clinician, whose recent invitations include working with students at the Guildhall School of Music and Drama in London, masterclasses at the Folkwang University of the Arts in Essen, Germany, and an educational residency at the University of North Florida in Jacksonville.

https://billychilds.com/

For more than a decade, Williams has steadily become one of the most acclaimed and versatile bassists in modern jazz. In 2009, he won the Thelonious Monk International Jazz Competition. He has performed/recorded with such giants as Pat Metheny, George Benson, Stefon Harris, David Sanborn, Lauryn Hill, Wynton Marsalis, Robert Glasper, Maxwell, and Nicholas Payton. In 2013 and 2015 Williams received the DownBeat Magazine Critics Poll Rising Star Award for Bass. Williams became a “Rising Star” when he won the 2009 Thelonious Monk International Jazz Bass Competition Award that landed him his first record-deal with Concord Records. Thereafter, he recorded and released State of Art in 2011 with his band, Sound Effect. The Album received an impressive 4.5 Star Review in DownBeat Magazine and reached #1 on the charts of iTunes and the National BillBoard. He was named the 2011 iTtunes Breakthrough Artist of the Year in the category of jazz.

As a leader, Williams revealed his talents as a keen composer and bandleader on his first two Concord Records albums – State of Art (2011) and Coming of Age (2015). As gripping as those albums are, they don’t prepare you for Williams’ newest album, I AM A MAN, released Rainbow Blonde, a new imprint co-owned by singer, songwriter, and kindred spirit, José James. Sonically, the new album departs grandly from the mostly acoustic instrumental settings of his previous albums. Williams imbued his love for modern R&B and hip-hop and his socio-political awareness subtly on State of Art and Coming of Age. But on I AM A MAN, he brings them to the fore with mesmerizing vocal-centric songs that will surely raise his profile higher in modern soul and rap circles.

With the help from sound engineer Brian Bender, I AM A MAN boasts a humid and hazy sound that recalls Soulaquarian albums released by The Roots, Erykah Badu, Bilal, D’Angelo, Common, and Roy Hargrove’s RH Factor. “I wanted to make this not just a musical statement, but sonically, I wanted to dig into a different sound. We had the opportunity to work in the studio to craft some sounds. What you hear is Brian’s brilliance with engineering. I wanted this record to deal with the past, present, and future,” Williams says.

https://www.benwilliamsofficial.com/

Among Brinae’s many roles, she is currently a lecturer at Johns Hopkins Peabody Conservatory, a member of the Baltimore Jazz Collective, the inaugural Performing Artist in Residence at Baltimore’s Creative Alliance, and cultural ambassador and artist in residence with Next Level-USA and the U.S. Department of State Education and Cultural Affairs. Ali is also a National Dance Project Grant, Chamber Music America New Jazz Works, and Ruby Artist recipient and Art for Social Change Fellow through Johns Hopkins University’s Inheritance Baltimore/Billie Holiday Center for Liberation Arts for a work in progress archival performative process called the “Baby Laurence Legacy Project.”

Brinae has served as the artistic director of Tapology, Inc., Fourth Wall Arts Salon, and Sound and Movement, LLC. She is the recipient of the Best Short Play Award at the Downtown Urban Theater Festival and the Vox Populi Independence Music Award. Her Broadway and Off-Broadway experiences include Shuffle Along and STOMP. She was also a feature dancer in the TV/Film drama miniseries Lady In The Lake.